NYC Film Critic

The Chronicles of Narnia franchise continues with the third installment, The Voyage of the Dawn Treader.  But don’t be surprised if this lifeless entry is the final glimpse we have of Narnia and its heavenly ruler Aslan.  Read my review over at Film Journal.

Black Swan
Directed by Darren Aronofsky
Screenplay by Mark Heyman, Andres Heinz, John McLaughlin
Starring Natalie Portman, Mila Kunis, Vincent Cassel and Barbara Hershey
***1/2

The key to appreciating (if not necessarily enjoying) the unnerving ballet psychodrama Black Swan is coming to terms with the fact that director Darren Aronofsky isn’t making Tchaikovsky’s Swan Lake—he’s making Roman Polanski’s Swan Lake.  The influence of the controversial Polish filmmaker’s work looms large over this film, particularly his vintage ’60-era thrillers like Rosemary’s Baby, Knife in the Water and Repulsion.  Indeed, the latter film is the most obvious influence on Black Swan.  Released in 1965, Repulsion (which was Polanski’s first English-language feature) starred Catherine Deneuve as a troubled young woman so frightened of the world in general and men in particular that when her sister leaves her alone in their apartment for a week, her internal demons manifest themselves as terrifying hallucinations that eventually push her over the edge into madness.   Even today, Repulsion remains one of the great “Don’t watch it when you’re home alone” movies, as Polanski turns a nondescript apartment into a cabaret of horrors.

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As Disney prepares to roll out its next blockbuster hopeful TRON: Legacy, I speak with the trio that got the highly anticipated sequel (by me at least) to the 1982 cult classic up on the giant-sized IMAX screen.  I’m talking, of course, about director Joseph Kosinski and writers Edward Kitsis and Adam Horowitz.  Read my interview with them over at Film Journal.